Deluxe 180-gram double vinyl pressings, with beautiful gatefold packaging featuring spot-gloss printing on the cover. CD comes in a beautiful gatefold with artwork by Makena Janssen.
DAN ROSENBOOM
POLARITY
DAN ROSENBOOM - Trumpet, Flugelhorn, Quartertone Trumpet
GAVIN TEMPLETON - Alto & Baritone Saxophones
JOHN ESCREET - Piano & Synthesizers
BILLY MOHLER - Double Bass
DAMION REID - Drums
Produced by JUSTIN STANLEY
★★★★½ ”Polarity is a jewel of intensely played music and interactive creativity performed with openness and edginess in the company of a top-notch quintet.”
–JazzTrail
★★★★ “Rosenboom deftly transplants some of the indelible verities of the second Miles Davis Quintet, particularly his penchant for floating, ambiguous melodies and haunting harmony, within a thoroughly contemporary rhythmic conception.
–DownBeat Magazine
★★★★ “A performance which gushes with energy and dexterous playing by all involved… An inspired session from a trumpeter whose voice seems to become more idiosyncratic with every release.”
–All About Jazz
“Dan Rosenboom finds a powerful conduit for his creative ideas in Templeton, Escreet, Mohler and Reid, enabling him to fulfill the promise of all of his compositions with the uncompromising Polarity.”
–SomethingElse Reviews
“With a mix of ferocity and intrigue, Rosenboom and his ensemble deliver scintillating creative music where each one of these musicians shines.”
–Making A Scene
“The rest of [Polarity] presents six fine-crafted Rosenboom compositions that find the leader's technical poise matching the band's empathy and drive… combines the focus of the classically trained with the expressive power of left-field jazz… this band lets his poised musicianship and edge-of-seat improv flourish.”
–Jazzwise Magazine
“The ensemble that joined forces to record Polarity came together at ETA, a musical proving ground in Los Angeles where trumpeter Dan Rosenboom has been holding regular improvisation summits. One jam session was all it took for these five players to recognize how well they complement one another. Soon the group was in a studio, knocking out performances of Rosenboom’s striving original work and dazzling group compositions. The finished album is an intricate web of ideas and styles, with each player challenging the rest to match their virtuosity and conceptual bravado. “War Money,” for example, is an appropriately blustery assault, driven by drummer Damion Reid’s rapid-fire fills that pianist John Escreet attempts to replicate with Cecil Taylor-like percussiveness. Later, “On Summoning the Will,” a piece Rosenboom wrote in honor of his wife’s successful battle with cancer, the group quilts together chords and notes into a soft, warming embrace. With any luck this is only the beginning of fruitful collaboration between these players.”
–PASTE Magazine
“The Age of Snakes” Live in Studio
Trumpeter Dan Rosenboom has firmly established himself as a catalyst for creative music in Los Angeles, a stylistically diverse artist, and a top-call studio musician. The visionary behind Orenda Records, he’s a composer, producer, and bandleader who brings marquee musicians from different scenes together. His new album Polarity presents a dynamic program of original music featuring saxophonist Gavin Templeton, pianist/keyboardist John Escreet, bassist Billy Mohler, and drummer Damion Reid. Produced by Justin Stanley (Prince, Beck, et al) Polarity is a testament to Rosenboom’s strength as a leader and trust in his bandmates, a versatile quintet propelled by impulse and comfort in the unpredictable.
Polarity emerges from a changing Los Angeles scene where Highland Park’s ETA, has established itself as a home for pure artistic expression. Rosenboom’s “Boom Sessions” is an ongoing improvisation series at ETA that features many of LA’s most powerful voices. After a show that featured Escreet, Mohler and Reid, producer Justin Stanley invited the band into his studio to make a record.
Rosenboom and Stanley built mutual trust and admiration working together on Rosenboom’s 2020 opus Absurd in the Anthropocene. For Polarity, they initially leaned toward an improvisational approach, which Stanley would produce in post. However, a conversation with his band convinced Rosenboom to bring in more structure. “Damion made a compelling case to record my compositions. We left plenty of space for improvisation, but the compositions gave us solid material.”
“There’s a pretty deep vibe between the rhythm section and the horns,” says Rosenboom. “Justin’s production is just terrific. He is very detailed and on a couple tracks his amazing post-production makes them other-worldly!” Still, Polarity hinges on live performances from a single day’s session at Stanley’s Stella Sound Studios.
Rosenboom spent the week leading up to the Polarity recording immersed in Wayne Shorter’s music, performing in the LA premiere of Shorter and Esperanza Spaulding’ s opera …(Iphigenia). Backstage, Rosenboom received sage advice from his long-time hero: “He encouraged me to keep it playful, to bring childlike openness to the recording process, and that spirit of spontaneous creativity is pervasive on the record.”
Album opener “The Age of Snakes” is the centerpiece of Polarity. Floating horns and a hypnotic groove provide a seductive overture to a nearly twenty-minute showcase featuring fiery improvisational surges and kaleidoscopic vignettes as Stanley’s production creates an immersive, lucid-dream soundscape. For Rosenboom, “this expansive journey embodies everything I love about spontaneous creation: surprise, deep listening, fearless exploration, and a collective sense of breath and space.”
The rhythm section ebb and flow with purpose throughout Polarity. Billy Mohler, one of Southern California’s most adventurous bassists, is “a natural fit for what I do,” says Rosenboom. Mohler echoes, “recording with Dan is a very fluid and open process. He writes for the group in a way that lets everyone’s voices be heard while tying it all together with his compositions.” Internationally-acclaimed drummer Damion Reid is everywhere on this album, building towers of rhythm as he supports the ensemble’s construction. “We had such an instant fiery connection,” says Rosenboom.
“Walking Shadows” and “On Summoning the Will” carry a tuneful strength. The latter is Rosenboom’s tribute to his wife Aubre, who overcame breast cancer in 2021. Inspired by her resilience, Rosenboom emotes with long vulnerable tones and Reid’s mallets emphasize fear and unknowing with distant rumbles.
“Ikigai” rises from Rosenboom’s contemplation of purpose as piano phenom John Escreet swipes a solo that twists and turns over the rest of the pummeling rhythm section. He is pliable on both piano and electric keyboards. “Tidal Mirror” is an ethereal jaunt, futuristic and distant, a feel largely created by Escreet’s floating pads. Says Rosenboom, “He intuitively understands my aesthetic and brings incredible creativity to the music.”
On “War Money” and “Minotaur,” Gavin Templeton is downright swinging on his baritone saxophone. Guttural bellows convulse over the striding rhythm section. Elsewhere his alto intertwines with Rosenboom’s stoic lines. “He’s my horn brother,” says Rosenboom. “We complement each other really well and I trust him intrinsically.”
Throughout, Rosenboom’s trumpet leads the way. “A Paper Tiger” features a rapid-fire appearance that bends and weaves with Templeton on alto. Rosenboom’s lines seethe with energy. Says Rosenboom, “I wanted to provide a virtuosic showcase for the band to bare our collective teeth.”
Polarity is the 101st release on Rosenboom’s Orenda Records, which boasts more than sixty artists from three continents and a wildly eclectic lineup. For Rosenboom, it’s all about bringing creative people together to showcase their collective powers of expression. That mission reverberates throughout Polarity, an undeniably captivating listen from some of Southern California’s greatest instrumental talents.
ALBUM CREDITS:
Produced, recorded and mixed by JUSTIN STANLEY
Mastered by STEVE SMART
Cover Photograph by BRIAN BIXBY
Band Photograph by JUSTIN STANLEY
Album Design and Layout by MAKENA JANSSEN